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home·artworks·The Evening Star
The Evening Star by Henry William Banks Davis

plate no. 3181

The Evening Star

Henry William Banks Davis, 1881

oilRealismlandscapecowslandscapeskytreesgrassfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating realistic textures with brushwork. It also offers practice in depicting animal forms within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and placement of major elements like the trees and cows.

  2. step 02

    Establish the sky with broad washes of color, blending the tones to create a sense of depth and atmosphere.

  3. step 03

    Block in the distant landscape and the field, using darker values in the foreground and lighter values in the background to create perspective.

  4. step 04

    Add the trees, focusing on capturing their silhouette against the bright sky.

  5. step 05

    Paint the cows, paying attention to their anatomy and the way light falls on their bodies.

  6. step 06

    Add details to the foreground, such as the grass, the water puddle, and the old farm equipment.

  7. step 07

    Refine the details and adjust the values to create a cohesive and realistic image.

  8. step 08

    Add final touches, such as the birds in the sky and subtle highlights on the cows.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · raw sienna · ultramarine blue · ivory black

Mix yellow ochre and white for the sky. Use burnt umber and black for shadows. Add a touch of blue to darken the greens.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·wet-on-dry

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Making the colors too saturated, which can detract from the overall mood.
  • →Ignoring the subtle variations in value, which can make the painting look flat.
  • →Not establishing a clear light source, which can make the painting look confusing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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