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home·artworks·The Evening before the Storm
The Evening before the Storm by Fyodor Vasilyev

plate no. 7029

The Evening before the Storm

Fyodor Vasilyev, 1869

oilRealismlandscapetreesskywaterlandscapefencebuilding
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of values and textures. It also provides practice in capturing the mood of a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and horizon line.

  2. step 02

    Establish the sky with broad strokes, blending the gray and white tones.

  3. step 03

    Block in the dark masses of the trees and foliage using a dark green or brown mixture.

  4. step 04

    Begin layering lighter greens and browns to create the foliage texture, using varied brushstrokes.

  5. step 05

    Add details to the trees, including branches and highlights.

  6. step 06

    Paint the water, reflecting the sky and surrounding foliage.

  7. step 07

    Add the fence and any other details in the foreground.

  8. step 08

    Refine the values and details throughout the painting, paying attention to atmospheric perspective.

color palette

primary · ultramarine blue · burnt umber · titanium white · sap green

secondary · yellow ochre · cadmium red

Mix greens by combining ultramarine blue, yellow ochre, and burnt umber. Use white to lighten values and create atmospheric haze. Create darker tones by mixing burnt umber and ultramarine blue.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Making the colors too bright and saturated, failing to capture the muted tones of the scene.
  • →Not establishing a clear value structure, resulting in a flat and uninteresting painting.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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