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home·artworks·The Emmaus Miracle
The Emmaus Miracle by Adam Elsheimer

plate no. 3561

The Emmaus Miracle

Adam Elsheimer

oilBaroquereligious paintingfigurestableinteriorvinereligious scenecandlelight
experienced study

Recreating this painting will help students develop skills in rendering figures in complex lighting and creating depth through atmospheric perspective. It also provides practice in depicting textures of various materials under dim light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and placement of figures and objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar dark color.

  3. step 03

    Block in the main color masses for the figures, table, and background, focusing on accurate color temperature.

  4. step 04

    Develop the light source and begin to define the forms with highlights and shadows.

  5. step 05

    Refine the details of the figures' faces and clothing, paying attention to subtle tonal variations.

  6. step 06

    Add details to the still life elements on the table, such as the bread, plates, and wine.

  7. step 07

    Develop the background foliage and architectural elements, using soft edges to create depth.

  8. step 08

    Add final glazes and highlights to enhance the luminosity and realism of the painting.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red light · raw sienna · viridian

Achieve the muted tones by mixing complementary colors and using glazes of transparent colors over opaque underlayers. Create the candlelight effect by layering thin washes of yellow ochre and white.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle tonal variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, ivory black, titanium white, yellow ochre, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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