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home·artworks·The Embarkation of a Queen
The Embarkation of a Queen by Agostino Tassi

plate no. 0687

The Embarkation of a Queen

Agostino Tassi, 1615

oilBaroquecityscapearchitecturecolumnsfigureswatershipcityscape
experienced study

Recreating this painting will help students develop skills in perspective drawing, particularly with architectural elements, and in rendering subtle tonal variations to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and placement of the architectural elements, including the columns and arches.

  2. step 02

    Block in the large shapes of the buildings and the ship in the background, paying attention to their relative sizes and positions.

  3. step 03

    Establish the basic values of the sky and water, creating a sense of depth and atmosphere.

  4. step 04

    Start adding details to the architectural elements, such as the capitals of the columns and the decorative elements on the buildings.

  5. step 05

    Begin to add the figures in the foreground, paying attention to their proportions and poses.

  6. step 06

    Refine the details of the ship in the background, including the rigging and sails.

  7. step 07

    Add highlights and shadows to create a sense of form and dimension.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Mix raw umber and white for the columns and architecture. Use ivory black and white for darker shadows. Add yellow ochre and cadmium red for the figures and accents.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Incorrect perspective can ruin the architectural accuracy.
  • →Overworking the details too early can lead to a stiff and lifeless painting.
  • →Ignoring the subtle tonal variations can flatten the image.
  • →Inaccurate proportions of figures can detract from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a fine-weave canvas for smoother details. Consider using a toned ground to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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