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home·artworks·The drinker
The drinker by Albrecht Anker

plate no. 8250

The drinker

Albrecht Anker, 1868

oilRealismgenre paintingfiguremantableglassjacketinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing the likeness and emotion of the subject, as well as understanding how to depict realistic textures and lighting in a dimly lit environment. Students will also learn how to create a focal point through value contrast and composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure, table, and background.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the lighter areas of the figure and table.

  3. step 03

    Start refining the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  4. step 04

    Develop the texture of the jacket and clothing, using broken brushstrokes and varying paint thickness.

  5. step 05

    Add details to the table, glass, and other objects, focusing on their form and how they interact with the light.

  6. step 06

    Refine the edges and transitions between different areas of the painting, softening or sharpening them as needed.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to ensure a cohesive and balanced image.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black · alizarin crimson

Achieve the skin tones by mixing burnt umber, yellow ochre, and titanium white, with small amounts of alizarin crimson for warmth. The jacket color can be achieved by mixing yellow ochre with burnt umber and a touch of white. Darken colors with ivory black and lighten with titanium white.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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