apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Doge on the Bucentaur at San Niccol del Lido
The Doge on the Bucentaur at San Niccol del Lido by Francesco Guardi

plate no. 8635

The Doge on the Bucentaur at San Niccol del Lido

Francesco Guardi, 1770

oil, canvasBaroquemarinaboatswaterbuildingsskyfiguresflags
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering reflections in water, and depicting complex scenes with many small details. It also provides practice in mixing subtle color variations and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and horizon line, paying attention to the overall composition.

  2. step 02

    Block in the sky with thin washes of blue and grey, creating a sense of atmosphere.

  3. step 03

    Establish the basic colors of the water, blending light and dark areas to suggest reflections.

  4. step 04

    Paint the distant buildings and structures, using muted colors and soft edges to create depth.

  5. step 05

    Begin adding the larger boats, focusing on their shapes and positions within the scene.

  6. step 06

    Add details to the boats, including sails, flags, and figures, using small brushes.

  7. step 07

    Paint the smaller boats and gondolas in the foreground, paying attention to their reflections in the water.

  8. step 08

    Add final details and highlights to create a sense of realism and depth.

color palette

primary · ultramarine blue · raw umber · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light · ivory black

Achieve the muted tones by mixing complementary colors and adding white. Use thin glazes to build up color and create depth. Mix blues and umbers for the water, and siennas and umbers for the boats.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·broken color
  • ·rendering reflections

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition.
  • →Using colors that are too saturated, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the reflections too sharp or defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, filbert, flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne