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home·artworks·The Dining Room Table
The Dining Room Table by Frank W. Benson

plate no. 8762

The Dining Room Table

Frank W. Benson, 1919

oilRealismstill lifestill lifefruitparrottablecandlemirror
some experience helpful

Recreating this painting will help students develop skills in depicting textures, rendering light and shadow on various objects, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the likeness of a bird and arranging a complex still life composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the table, fruit bowl, parrot, and candles.

  2. step 02

    Establish the background with dark, muted tones, creating a sense of depth.

  3. step 03

    Block in the main colors of the tablecloth, fruit, and parrot, paying attention to their local color.

  4. step 04

    Begin to refine the shapes and values of the fruit and other objects, adding highlights and shadows.

  5. step 05

    Add details to the parrot, such as its feathers and beak, using small brushstrokes.

  6. step 06

    Work on the reflections in the mirror, capturing the subtle variations in light and color.

  7. step 07

    Refine the details of the candlesticks and other metallic objects, paying attention to their highlights and shadows.

  8. step 08

    Add final touches and adjustments to the overall composition, ensuring that the painting has a sense of unity and harmony.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · viridian green

Achieve the subtle grays of the parrot by mixing ultramarine blue, burnt umber, and white. Create the warm tones of the fruit by blending yellow ochre, cadmium red, and burnt umber.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall sense of unity.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Making the colors too bright and saturated.
  • →Not capturing the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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