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home·artworks·The Departure of the East Indiamen
The Departure of the East Indiamen by Hendrick Cornelisz Vroom

plate no. 2217

The Departure of the East Indiamen

Hendrick Cornelisz Vroom, 1630

oilBaroquemarinashipsseaskyfiguresharborflags
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex shapes like ships with sails. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and the basic shapes of the ships, figures, and landmass.

  2. step 02

    Block in the sky with light blues and grays, blending for soft clouds.

  3. step 03

    Establish the base colors for the sea, using darker blues and greens in the foreground and lighter hues towards the horizon.

  4. step 04

    Paint the larger ships, focusing on their overall shapes and values before adding details.

  5. step 05

    Add details to the ships, including sails, rigging, and hull details, using thin brushes.

  6. step 06

    Paint the figures on the shore, simplifying their forms and focusing on their placement and interaction.

  7. step 07

    Add highlights and shadows to create depth and dimension in the ships, figures, and land.

  8. step 08

    Refine the details and blend the colors to achieve a cohesive and atmospheric effect.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of blue and green for the sea by blending ultramarine blue, raw umber, and white. Achieve the warm tones of the ships and land by mixing burnt sienna, raw umber, and yellow ochre.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering details
  • ·blending

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of ships and figures
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-grit canvas for better paint adhesion. Consider using a toned canvas (e.g., light gray or raw umber) to establish a base value.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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