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home·artworks·The Departure for the Fields
The Departure for the Fields by Jules Breton

plate no. 8310

The Departure for the Fields

Jules Breton, 1884

oil, canvasRealismgenre paintingfiguresfieldchildrenrural sceneskybuilding
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective to create depth. It also provides practice in mixing subtle color variations for naturalistic effects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, field, and the figures' clothing.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figures and in the landscape.

  4. step 04

    Develop the details of the figures, paying attention to their proportions and gestures.

  5. step 05

    Refine the details of the field, using short brushstrokes to suggest the texture of the wheat.

  6. step 06

    Add the distant building, using a lighter value to create atmospheric perspective.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights.

color palette

primary · yellow ochre · raw umber · titanium white · ivory black

secondary · cadmium red · ultramarine blue · sap green

Mix yellow ochre and raw umber with white for the field. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth. Mix black and white for the figures' clothing, adding touches of other colors for subtle variations.

techniques

  • ·blocking in
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details
  • →Failing to establish a clear light source
  • →Using colors that are too saturated
  • →Incorrect proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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