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home·artworks·The Denying of Peter
The Denying of Peter by Jan Miense Molenaer

plate no. 8221

The Denying of Peter

Jan Miense Molenaer, 1636

oil, canvasBaroquereligious paintingfiguresinteriortavernsoldiersfirecat
experienced study

Recreating this painting will help students develop skills in rendering complex figures in a dimly lit interior and understanding how to create depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and compositional elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color masses for each figure and object, focusing on accurate color temperature.

  4. step 04

    Develop the lighting by adding highlights and shadows, paying attention to the light source from the fire.

  5. step 05

    Refine the details of the figures' faces and clothing, adding texture and subtle variations in color.

  6. step 06

    Work on the background elements, softening edges and using atmospheric perspective to create depth.

  7. step 07

    Add final details like the cat, the fire, and the objects on the table.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, ivory black, titanium white, cadmium red, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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