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home·artworks·The Day after the Storm
The Day after the Storm by Briton Riviere

plate no. 6005

The Day after the Storm

Briton Riviere, 1896

oilRealismlandscapecliffsbeachskycloudsbirdsrocks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating texture with brushstrokes. It also provides practice in mixing earth tones and depicting natural light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cliffs, beach, and sky, paying attention to the overall composition.

  2. step 02

    Establish the main value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin building up the colors of the sky and clouds, blending the tones to create a soft, atmospheric effect.

  4. step 04

    Work on the cliffs, layering different shades of brown and green to create depth and texture.

  5. step 05

    Add details to the beach and rocks, using smaller brushes to create individual stones and pebbles.

  6. step 06

    Introduce highlights and shadows to enhance the three-dimensionality of the cliffs and rocks.

  7. step 07

    Paint the birds, paying attention to their size and placement to create a sense of scale.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a cohesive and realistic effect.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · sap green

Mix various browns and greens by combining burnt umber, raw sienna, yellow ochre, and ultramarine blue. Use titanium white to lighten the colors and create highlights.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →using too much paint
  • →not paying attention to the value structure
  • →making the colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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