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home·artworks·The Crucifixion of Saint Andrew
The Crucifixion of Saint Andrew by Mattia Preti

plate no. 2797

The Crucifixion of Saint Andrew

Mattia Preti, 1651

oilBaroquereligious paintingfigureskycloudsreligious scenecrossangels
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and creating atmospheric perspective with color and value. It also provides practice in rendering drapery and creating a sense of movement.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the cross.

  2. step 02

    Establish the overall composition and proportions.

  3. step 03

    Block in the main color areas, focusing on the background sky and the figures' skin tones.

  4. step 04

    Develop the values, paying attention to the light source and shadows.

  5. step 05

    Refine the details of the figures, including facial features and drapery folds.

  6. step 06

    Add highlights and subtle color variations to create depth and realism.

  7. step 07

    Work on the background elements, such as the clouds and landscape.

  8. step 08

    Add final details and adjust the overall color balance.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · raw sienna · ivory black

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white. Use ultramarine blue and white for the sky and clouds, adding small amounts of red or yellow to adjust the hue. Mix browns and blacks for the wooden cross.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly saturated colors.
  • →Lack of value contrast, resulting in a flat image.
  • →Neglecting the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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