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home·artworks·The Cranberry Harvest, Island of Nantucket
The Cranberry Harvest, Island of Nantucket by Eastman Johnson

plate no. 8078

The Cranberry Harvest, Island of Nantucket

Eastman Johnson, 1880

oil, canvasRealismgenre paintingfiguresfieldcranberrieslandscapeskyharvest
experienced study

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective. It also provides practice in creating texture and detail with brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, the hill, and the placement of the major figure groups.

  2. step 02

    Block in the large areas of color: sky, field, and hill, using thin washes.

  3. step 03

    Establish the general value structure of the figures, focusing on light and shadow.

  4. step 04

    Begin adding details to the figures, starting with the focal point and moving outwards.

  5. step 05

    Develop the texture of the field with short, broken brushstrokes, varying the colors and values.

  6. step 06

    Add details to the background elements like the windmill and distant buildings.

  7. step 07

    Refine the highlights and shadows on the figures and in the landscape.

  8. step 08

    Add final details such as small plants and cranberry details.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · ivory black

Achieve the field colors by mixing burnt umber, yellow ochre, and small amounts of red and blue. Use white to lighten and create variations in tone. Mix ultramarine blue and white for the sky, adding small amounts of yellow ochre for warmth.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Creating figures that are too uniform in color and value
  • →Failing to establish a clear focal point
  • →Ignoring the effects of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x36
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to help create the broken color effect. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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