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home·artworks·The Coronation of the Doge
The Coronation of the Doge by Francesco Guardi

plate no. 4186

The Coronation of the Doge

Francesco Guardi, 1770

oil, canvasBaroquehistory paintingbuildingfiguresarchitectureskycityscapestairs
experienced study

Recreating this painting will help students develop skills in perspective drawing, particularly one-point perspective, and learn to suggest detail with loose brushwork rather than precise rendering. It also provides practice in creating atmospheric perspective to convey depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and proportions of the building.

  2. step 02

    Block in the main shapes of the buildings and the sky using thin washes of color.

  3. step 03

    Establish the light and shadow areas, paying attention to the overall value structure.

  4. step 04

    Add details to the architecture, focusing on the arches, windows, and decorative elements.

  5. step 05

    Paint the figures in the foreground, using small brushstrokes to suggest their forms.

  6. step 06

    Create atmospheric perspective by lightening the colors and softening the edges of distant objects.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of depth.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · Prussian blue · ivory black

Mix various shades of gray and brown by combining raw umber, white, and small amounts of blue or black. Use yellow ochre to create warm highlights on the buildings.

techniques

  • ·one-point perspective
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the perspective wrong, which will make the building look distorted.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Not creating enough atmospheric perspective, which will flatten the image.
  • →Using colors that are too saturated, which will clash with the muted tones of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to allow for detailed brushwork.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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