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home·artworks·The Coronation of St Stephen
The Coronation of St Stephen by Annibale Carracci

plate no. 4503

The Coronation of St Stephen

Annibale Carracci, 1597

oilBaroquereligious paintingfigurescloudslandscapeangelshaloreligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in capturing dynamic poses and emotional expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the landscape elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the main colors for the sky, clouds, figures, and landscape.

  4. step 04

    Begin refining the details of the figures, paying attention to anatomy and drapery.

  5. step 05

    Develop the atmospheric perspective in the landscape, using lighter and cooler colors for distant objects.

  6. step 06

    Add highlights and shadows to create depth and volume.

  7. step 07

    Refine the details of the faces and hands, capturing the expressions of the figures.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · raw sienna · ivory black

Achieve the skin tones by mixing yellow ochre, burnt umber, and titanium white. Create the atmospheric perspective by mixing ultramarine blue with white and a touch of burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Not paying attention to anatomy and proportion.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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