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home·artworks·The Coptic Quarter, Cairo
The Coptic Quarter, Cairo by John Varley II

plate no. 1196

The Coptic Quarter, Cairo

John Varley II, 1880

oilRealismcityscapecityscapebuildingsstreetfiguresarchitecturealley
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures with visible brushstrokes. It also provides practice in creating depth and suggesting detail rather than precisely defining every element.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the darkest and lightest values to create a sense of depth.

  3. step 03

    Block in the main color areas using thin washes of color.

  4. step 04

    Begin adding texture to the buildings and street using short, broken brushstrokes.

  5. step 05

    Gradually build up layers of color and value, paying attention to the subtle shifts in tone.

  6. step 06

    Add details to the figures and architectural elements, keeping them soft and suggestive.

  7. step 07

    Refine the highlights and shadows to enhance the sense of depth and atmosphere.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · ultramarine blue · yellow ochre · titanium white

Achieve the various browns and grays by mixing burnt umber, raw sienna, and ivory black in different proportions. Use ultramarine blue and titanium white to create the subtle blue of the sky.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast and flattening the image.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and not harmonious.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to help create the broken brushstroke effect. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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