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The Cook by Gabriel Metsu

plate no. 9860

The Cook

Gabriel Metsu, 1667

oil, canvasBaroqueportraitfigurekitchenstill lifeovenfishpoultry
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and creating depth through subtle value changes. It also provides practice in painting various textures, such as fabric, metal, and cooked food.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the dark background and the main light source.

  4. step 04

    Begin building up the values and details of the figure, starting with the face.

  5. step 05

    Work on the still life elements, paying attention to the textures and reflections.

  6. step 06

    Refine the details and add highlights to create a sense of realism.

  7. step 07

    Glaze over areas to unify the colors and create depth.

  8. step 08

    Add final touches and adjustments as needed.

color palette

primary · burnt umber · raw sienna · titanium white · Prussian blue

secondary · yellow ochre · ivory black · cadmium red light

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red light for warmth. Create the blue of the dress by mixing Prussian blue with titanium white, and adding a touch of burnt umber to dull the color.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw sienna, titanium white, Prussian blue, yellow ochre, ivory black, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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