apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Conversation
The Conversation by Theodule Ribot

plate no. 5354

The Conversation

Theodule Ribot

oilRealismgenre paintingfiguresportraithandsindoorsclothingconversation
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and capturing subtle facial expressions. It also provides practice in creating depth and atmosphere using a limited palette and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the faces and hands with mid-tones.

  4. step 04

    Begin building up the skin tones, layering lighter values to create highlights and form.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, paying attention to subtle variations in color and value.

  6. step 06

    Define the clothing and hands, using darker values to create contrast and depth.

  7. step 07

    Refine the background and add any final details to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · cadmium red light

Mix skin tones by blending white with small amounts of burnt sienna and cadmium red. Use raw umber and black to create shadows and darker tones.

techniques

  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·chiaroscuro
  • ·limited palette

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a toned ground to help establish the dark background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy