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The Concert by Le Nain brothers

plate no. 2927

The Concert

Le Nain brothers

oilBaroquegenre paintingfiguresinstrumentsmusicclothingbookportrait
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabrics, and creating depth through value and color variations. It also provides practice in depicting complex textures like hair and feathers.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and instruments.

  2. step 02

    Block in the main shapes and colors using thin washes of paint, focusing on the overall value structure.

  3. step 03

    Develop the background with dark, muted tones, ensuring it recedes behind the figures.

  4. step 04

    Begin refining the figures, starting with the faces and hands, paying close attention to accurate skin tones and subtle variations in light and shadow.

  5. step 05

    Work on the clothing and instruments, building up layers of color and texture to create a sense of realism.

  6. step 06

    Add details such as the feathers, hair, and musical instrument details.

  7. step 07

    Refine the edges and transitions between different areas of the painting, softening or sharpening them as needed to create depth and focus.

  8. step 08

    Apply final glazes to unify the colors and add a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, raw sienna, and a touch of red. Darken colors with burnt umber and black. Use ultramarine blue and white for the blue clothing, and cadmium red and burnt umber for the red clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the value structure of the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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