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The Concert by Gerard Terborch

plate no. 8869

The Concert

Gerard Terborch, 1675

oil, canvasBaroquegenre paintingfigureinteriormusical instrumentdresswallpainting
some experience helpful

Recreating this painting will help students understand how to depict light and shadow on fabric and how to create a sense of depth in a dimly lit interior. It also provides practice in rendering realistic figures and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the harpsichord.

  2. step 02

    Establish the background with thin washes of brown and gray, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figures and the harpsichord with simplified colors.

  4. step 04

    Develop the folds and highlights in the woman's dress, using a combination of blending and layering.

  5. step 05

    Refine the details of the harpsichord, including the keys and the decorative elements.

  6. step 06

    Add the details of the figures' faces and hands, paying attention to the subtle expressions.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Achieve the subtle variations in the dress by mixing white with small amounts of burnt umber, raw sienna, and yellow ochre. Create the red tones by mixing cadmium red with burnt umber and a touch of white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →over-blending the dress, losing the definition of the folds
  • →making the background too uniform and flat
  • →failing to capture the subtle expressions of the figures
  • →using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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