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home·artworks·The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz. Blaeuw, known as the ‘Meagre Company’
The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz. Blaeuw, known as the ‘Meagre Company’ by Frans Hals

plate no. 7421

The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz. Blaeuw, known as the ‘Meagre Company’

Frans Hals, 1637

oil, canvasBaroqueportraitfiguresgroup portraitmilitaryclothingweaponshistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and atmosphere in a large group composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values of the background and figures using thin washes of color.

  3. step 03

    Focus on the faces, capturing the likeness and individual characteristics of each person.

  4. step 04

    Develop the clothing and details, paying attention to the folds, textures, and highlights.

  5. step 05

    Add the weapons and other accessories, ensuring they are accurately rendered.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze to unify the colors.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red light

Achieve the dark, rich tones by mixing ivory black and raw umber. Use burnt sienna and yellow ochre for warm highlights and flesh tones. Mix ultramarine blue with white for the cooler tones in the ruffs and fabrics.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabrics
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details and neglecting the overall composition.
  • →Failing to capture the likeness of the figures.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much color and not enough value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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