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home·artworks·The Collapse of the St Anthonis Dyke in 1651
The Collapse of the St Anthonis Dyke in 1651 by Jan Asselijn

plate no. 4723

The Collapse of the St Anthonis Dyke in 1651

Jan Asselijn, 1652

canvas, oilBaroquehistory paintingfigureslandscapewaterskycloudsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex cloud formations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: cliffs, water, sky, and figures.

  2. step 02

    Establish the horizon line and the basic perspective.

  3. step 03

    Block in the sky with broad strokes, focusing on the cloud shapes and value variations.

  4. step 04

    Paint the water using horizontal strokes, suggesting movement and reflections.

  5. step 05

    Add the cliffs and rocks, paying attention to the light and shadow.

  6. step 06

    Paint the figures, starting with the larger shapes and then adding details.

  7. step 07

    Add details to the architecture and boats in the distance.

  8. step 08

    Refine the painting, adjusting values and adding highlights.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing the primary colors with raw umber and white. Use yellow ochre and burnt sienna for warmer highlights on the cliffs and figures.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using too much bright color, losing the muted atmosphere.
  • →Ignoring the perspective of the water and distant objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for better texture. Consider using a limited palette to achieve color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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