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home·artworks·The Cock Fight
The Cock Fight by Emile Claus

plate no. 8127

The Cock Fight

Emile Claus, 1882

oilRealismgenre paintingfiguresroosterscrowdarenagamblinghistorical
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex composition and mastering chiaroscuro to create depth and drama. It also offers practice in capturing realistic textures and details in a limited palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and composition, paying attention to the placement of the figures and the arena.

  2. step 02

    Establish the overall value structure by blocking in the dark areas with a thin wash of burnt umber or a similar dark brown.

  3. step 03

    Gradually build up the mid-tones, focusing on the areas where light is hitting the figures and the arena.

  4. step 04

    Start adding details to the roosters, using small brushstrokes to capture the texture of their feathers.

  5. step 05

    Begin working on the faces of the figures, paying attention to the subtle variations in skin tone and the way light and shadow define their features.

  6. step 06

    Refine the details of the clothing and other elements, using a variety of brushstrokes to create texture and interest.

  7. step 07

    Add highlights to the areas where light is strongest, such as the faces and the roosters' feathers.

  8. step 08

    Make final adjustments to the values and details to create a sense of depth and realism.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Darken the shadows with burnt umber and black. Use ultramarine blue to cool down the shadows and add depth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Getting lost in the details too early without establishing the overall value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to allow for detailed brushwork. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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