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home·artworks·The city Pozzuoli near Naples
The city Pozzuoli near Naples by Volodymyr Orlovsky

plate no. 0060

The city Pozzuoli near Naples

Volodymyr Orlovsky, 1876

oilRealismcityscapecityscapewaterboatsskypierfigure
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for atmospheric effects, and rendering textures of stone and water. It also provides practice in depicting a figure in a relaxed pose.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, perspective of the pier, and placement of key elements like the figure and boats.

  2. step 02

    Block in the large shapes of the sky, water, and pier with thin washes of color.

  3. step 03

    Establish the basic values of the sky and water, paying attention to subtle color variations.

  4. step 04

    Develop the texture of the stone pier using short, broken brushstrokes and varying values.

  5. step 05

    Add details to the boats, including reflections in the water.

  6. step 06

    Paint the figure, paying attention to the light and shadow on the clothing and skin.

  7. step 07

    Refine the details of the cityscape in the background, keeping it soft and atmospheric.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · ivory black

Achieve the sky and water colors by mixing ultramarine blue and titanium white, adjusting the ratio for different values. Use raw umber and yellow ochre for the stone pier, adding touches of burnt sienna for warmth.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Failing to establish a strong sense of perspective in the pier.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too saturated and unrealistic.
  • →Neglecting the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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