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home·artworks·The church of St. Severin in Cologne in a fictive setting
The church of St. Severin in Cologne in a fictive setting by Adriaen van de Velde

plate no. 7219

The church of St. Severin in Cologne in a fictive setting

Adriaen van de Velde, 1672

oil, panelBaroquecityscapecityscapearchitecturebuildingsskyfigurestrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and accurately depicting architectural details. It also provides practice in rendering figures and foliage in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main architectural shapes and horizon line.

  2. step 02

    Block in the sky with light blues and whites, paying attention to cloud shapes.

  3. step 03

    Establish the base colors for the buildings, using a mix of browns, grays, and ochres.

  4. step 04

    Paint the distant trees and foliage with muted greens and blues to create depth.

  5. step 05

    Add details to the architecture, such as windows, arches, and textures.

  6. step 06

    Paint the figures in the foreground, focusing on their proportions and placement.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine details and adjust colors as needed to achieve a cohesive and atmospheric effect.

color palette

primary · ultramarine blue · titanium white · raw umber · yellow ochre

secondary · burnt sienna · cadmium yellow light · ivory black · sap green

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use raw umber and white for the stone buildings, and mix greens with yellow ochre and blue for the foliage. Add burnt sienna to create warmer tones.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details

common pitfalls

  • →Overly bright or saturated colors
  • →Incorrect perspective in the buildings
  • →Lack of atmospheric perspective, making the background appear flat
  • →Ignoring the subtle color variations in the sky and foliage

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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