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home·artworks·The Children with the bath
The Children with the bath by Honore Daumier

plate no. 7532

The Children with the bath

Honore Daumier

oil, panelRealismgenre paintingfigureswaterchildrenbathingriverbankfamily
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a loose, impressionistic style and understanding how to suggest form with minimal detail. It also provides practice in creating atmospheric perspective and a sense of depth using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their placement on the panel.

  2. step 02

    Establish the overall tonal values using a thin wash of burnt umber and yellow ochre.

  3. step 03

    Begin blocking in the larger shapes of the figures, focusing on the light and shadow patterns.

  4. step 04

    Gradually build up the details of the figures, using small brushstrokes to define their forms.

  5. step 05

    Add the water reflections, using horizontal strokes and varying the values to create a sense of movement.

  6. step 06

    Refine the background elements, keeping them soft and indistinct to maintain focus on the figures.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and form.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ivory black · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber. Darker tones are created by adding ivory black or burnt umber to these mixtures. Use diluted washes of these colors to create the water and background.

techniques

  • ·underpainting
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to establish a strong tonal foundation.
  • →Making the background too detailed and distracting from the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw sienna oil paint
  • ·linseed oil
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas with a thin wash of burnt umber can be helpful for establishing the initial tonal values.

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