
plate no. 6979
Octav Băncilă, 1914
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in blending and layering paint to create depth and form.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figures and their placement on the canvas.
Establish the background color using a mix of browns and oranges.
Block in the main areas of color for the skin tones, hair, and clothing.
Begin layering and blending the skin tones, paying attention to highlights and shadows.
Refine the details of the faces, including the eyes, nose, and mouth.
Add details to the hair, using varying brushstrokes to create texture.
Paint the clothing, focusing on the folds and highlights.
Add final touches and highlights to the entire painting.
color palette
primary · burnt umber · raw sienna · titanium white · ultramarine blue
secondary · cadmium yellow · alizarin crimson · ivory black
Skin tones are achieved through mixing burnt umber, raw sienna, titanium white, and small amounts of alizarin crimson and cadmium yellow. The background is a mix of burnt umber, raw sienna, and a touch of ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas and artist-grade oil paints for best results.
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