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The cherry girl by Émile Auguste Hublin

plate no. 7324

The cherry girl

Émile Auguste Hublin

oil, canvasRealismportraitfigureportraitcherriesbowlshawlindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the proportions of the figure and the placement of the bowl.

  2. step 02

    Establish the background with a thin wash of muted grays and browns.

  3. step 03

    Block in the main shapes of the figure, including the face, clothing, and shawl, using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the clothing and shawl, using soft blending to create a sense of fabric texture.

  6. step 06

    Paint the bowl of cherries, capturing the vibrant red color and the highlights on the fruit.

  7. step 07

    Add final highlights and shadows to enhance the form and create a sense of depth.

  8. step 08

    Glaze with thin layers to unify the colors and add luminosity.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red · viridian green · yellow ochre

Mix skin tones using white, raw umber, burnt sienna, and a touch of red. Achieve the green of the bowl by mixing viridian green with raw umber and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle value changes in the face.
  • →Creating harsh lines instead of soft transitions.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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