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home·artworks·The card game
The card game by Noè Bordignon

plate no. 3808

The card game

Noè Bordignon, 1898

oil, canvasRealismgenre paintingfigurestablecardsinteriorexteriorlandscape
some experience helpful

Recreating this painting will help students understand how to depict figures in different lighting conditions and how to create depth using atmospheric perspective. It also provides practice in capturing the textures of various materials like wood, fabric, and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Establish the light and shadow patterns, paying attention to the contrast between the sunlit areas and the darker interior.

  4. step 04

    Develop the details of the figures, including their facial features and clothing.

  5. step 05

    Refine the textures of the table, walls, and other objects using varied brushstrokes.

  6. step 06

    Add the background elements, such as the landscape and figures in the distance, using a softer, more atmospheric approach.

  7. step 07

    Adjust the colors and values as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to enhance the overall effect.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · raw sienna

Achieve the warm, earthy tones by mixing burnt umber, yellow ochre, and a touch of cadmium red. Use ultramarine blue and viridian green for the cooler shadows and foliage. Add titanium white to lighten the colors and create highlights.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to establish a strong light and shadow pattern.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, viridian green, raw sienna)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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