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home·artworks·The Camaldoli from Vomero
The Camaldoli from Vomero by Attilio Pratella

plate no. 1995

The Camaldoli from Vomero

Attilio Pratella

oilRealismlandscapelandscapebuildingshillsskytreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose, expressive brushstrokes to capture the texture of the landscape. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hill, buildings, and sky.

  2. step 02

    Block in the large areas of color for the sky, hill, and foreground using thin washes.

  3. step 03

    Begin layering darker values to define the shadows and contours of the hill and buildings.

  4. step 04

    Add lighter values to create highlights and give form to the landscape.

  5. step 05

    Use short, broken brushstrokes to suggest the texture of the trees and vegetation.

  6. step 06

    Refine the details of the buildings, paying attention to their structure and form.

  7. step 07

    Add final highlights and details to the sky and foreground.

  8. step 08

    Step back and adjust the overall composition and color balance.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red light

Mix raw umber and white for the general earth tones. Add ultramarine blue to raw umber for cooler shadows. Use yellow ochre and burnt sienna for warmer highlights.

techniques

  • ·dry brush
  • ·layering
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Not simplifying the complex forms of the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for better paint adhesion and texture.

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oil painting for beginners →how to learn by studying the masters →
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