apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Burden (The Laundress)
The Burden (The Laundress) by Honore Daumier

plate no. 7862

The Burden (The Laundress)

Honore Daumier, 1853

oil, canvasRealismgenre paintingfiguremotherchildlaundressstreetburden
some experience helpful

Recreating this painting will help students understand how to use a limited palette to create a sense of depth and atmosphere, and how to suggest form with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the large shapes of the figures and background with thin washes of color.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of highlight and shadow.

  4. step 04

    Develop the details of the figures, paying attention to the folds of the clothing and the expressions on their faces.

  5. step 05

    Refine the background, adding texture and detail to the wall and street.

  6. step 06

    Add final highlights and shadows to create a sense of depth and realism.

  7. step 07

    Soften edges and blend colors to create a cohesive and atmospheric effect.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and burnt sienna to add warmth to the skin tones and background.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·alla prima
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to establish a strong light source and creating a flat, uninteresting composition.
  • →Using too many colors and creating a muddy, incoherent palette.
  • →Getting lost in details too early, before establishing the overall values and composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy