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home·artworks·The Brussels goldsmith Jean Jacobs
The Brussels goldsmith Jean Jacobs by Guido Reni

plate no. 8378

The Brussels goldsmith Jean Jacobs

Guido Reni

oilBaroqueportraitportraitfiguremanclothingletterdrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure by blocking in the large areas of dark and light.

  3. step 03

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the details of the clothing, including the collar and the folds of the robe.

  5. step 05

    Render the hands and the letter, focusing on accurate proportions and subtle value changes.

  6. step 06

    Add the drapery and the coat of arms in the background, using a limited palette of reds and browns.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and realistic final result.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and black by combining raw umber, burnt sienna, and ivory black. Use titanium white to create highlights and lighten skin tones. Add small amounts of cadmium red light and yellow ochre to warm up the skin tones.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth and form in the clothing and background.
  • →Ignoring subtle value changes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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