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the Brother of the Artist, Eduard Egger by Albin Egger-Lienz

plate no. 0108

the Brother of the Artist, Eduard Egger

Albin Egger-Lienz, 1888

oilRealismportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering form with visible brushstrokes. It also provides practice in creating a muted, harmonious color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure.

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna, using visible brushstrokes.

  3. step 03

    Block in the main areas of the face, hair, and clothing with simplified color masses.

  4. step 04

    Refine the skin tones by layering and blending subtle variations of color.

  5. step 05

    Add details to the eyes, nose, and mouth, paying close attention to the light and shadow.

  6. step 06

    Define the clothing and hair with darker values and more distinct brushstrokes.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Mix skin tones by blending white with small amounts of raw sienna, burnt umber, and cadmium red light. Use ivory black to create darker values and shadows. Mix yellow ochre with white for highlights.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·value control

common pitfalls

  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Using too much white in the skin tones, making the figure look pale.
  • →Neglecting the subtle variations in color and value.
  • →Losing the overall structure and proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a smooth texture to allow for easier blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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