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home·artworks·The portrait painter in the country
The portrait painter in the country by Albin Egger-Lienz

plate no. 8491

The portrait painter in the country

Albin Egger-Lienz, 1891

oil, canvasExpressionismgenre paintingfiguresinteriorartistportraitwindowrural
some experience helpful

Recreating this painting will help students develop skills in rendering figures in an interior setting and understanding atmospheric perspective to create depth. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements of the interior.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, starting with the darkest values and gradually working towards the lighter ones.

  4. step 04

    Develop the figures, paying attention to the proportions and anatomical details.

  5. step 05

    Refine the details of the interior, including the window, the furniture, and the hanging objects.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of the secondary colors. Use ultramarine blue and burnt umber to create a range of grays.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, ultramarine blue, cadmium red, yellow ochre)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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