apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Boys’ Workhouse, Helsinki
The Boys’ Workhouse, Helsinki by Albert Edelfelt

plate no. 1765

The Boys’ Workhouse, Helsinki

Albert Edelfelt

oilRealismgenre paintingfigurestableinteriorwindowclothingtools
some experience helpful

Recreating this painting will help students develop skills in painting figures in a realistic style and capturing the subtle variations in light and shadow within an interior scene. It also provides practice in rendering textures of clothing and wooden surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures and objects.

  2. step 02

    Block in the large shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Establish the background and the light source coming from the window.

  4. step 04

    Start refining the figures, paying attention to the proportions and anatomical details.

  5. step 05

    Develop the details on the table, including the tools and materials.

  6. step 06

    Refine the clothing folds and textures, using layering and glazing techniques.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic effect.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of diluted colors to create subtle variations and depth.

techniques

  • ·blocking in
  • ·layering
  • ·glazing
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy