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home·artworks·The Boundary Fence, Forest of Fontainebleau
The Boundary Fence, Forest of Fontainebleau by Nathaniel Hone the Younger

plate no. 7366

The Boundary Fence, Forest of Fontainebleau

Nathaniel Hone the Younger, 1868

oilRealismlandscapetreesforestdeerlandscapefoliagefence
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value. It will also develop skills in painting foliage and rendering organic shapes with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the deer.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main areas of color: the sky, the foliage, the ground, and the tree trunks.

  4. step 04

    Begin layering the foliage, using darker greens in the foreground and lighter, cooler greens in the background to create depth.

  5. step 05

    Add details to the tree trunks and branches, paying attention to the direction of light.

  6. step 06

    Paint the deer, using a limited palette of browns and grays.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and adjust the overall color balance.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix greens by combining sap green with yellow ochre or ultramarine blue. Use burnt sienna and raw umber for the deer and tree trunks. Add white to lighten values and create atmospheric perspective.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to create enough depth and atmospheric perspective.
  • →Using too much green without variation.
  • →Making the deer too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (sap green, raw umber, titanium white, yellow ochre, ultramarine blue, burnt sienna)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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