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home·artworks·The Blue Mandarin Coat
The Blue Mandarin Coat by Joseph DeCamp

plate no. 7838

The Blue Mandarin Coat

Joseph DeCamp, 1922

oil, canvasRealismportraitfigureportraitrobeclothingwomanhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric textures. It also provides practice in creating depth through value contrast and soft edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main light source and begin to define the light and shadow areas on the face and robe.

  4. step 04

    Mix skin tones using a limited palette and apply them in thin layers, blending carefully.

  5. step 05

    Develop the details of the robe, paying attention to the folds and patterns.

  6. step 06

    Add highlights to the face, hair, and robe to create a sense of depth and dimension.

  7. step 07

    Refine the edges and details, softening some areas and sharpening others.

  8. step 08

    Add final touches, such as the jewelry and any other small details.

color palette

primary · ivory black · titanium white · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt umber · viridian

Achieve skin tones by mixing white, red, and a touch of yellow ochre. The blue of the robe can be created by mixing ultramarine blue with ivory black and a touch of white. Use burnt umber and yellow ochre to create the gold trim.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·soft blending
  • ·rendering fabric

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Failing to establish a strong light source.
  • →Getting lost in the details of the robe before establishing the overall form.
  • →Using too much paint, resulting in a muddy appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a smooth canvas for easier blending. Consider using a medium to thin the oil paints for glazing.

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oil painting for beginners →how to learn by studying the masters →
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