
plate no. 9065
Georges de la Tour, 1630
Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It will also develop skills in rendering textures and details in a limited color palette.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the figure's pose and the instrument's placement.
Establish the dark background and general areas of light and shadow with thin washes of color.
Block in the main colors of the figure's clothing, skin, and the hurdy-gurdy.
Begin building up the highlights and shadows, layering paint to create depth and volume.
Refine the details of the face, hands, and instrument, paying attention to the subtle variations in tone.
Add the highlights and details on the instrument.
Soften edges and blend transitions between light and shadow to create a sense of realism.
Add final details and adjust values as needed to achieve the desired effect.
color palette
primary · burnt umber · raw umber · ivory black · titanium white
secondary · yellow ochre · cadmium yellow light · red oxide
Mix various shades of brown and gray by combining umber, black, and white. Use yellow ochre and cadmium yellow light to create the warm tones of the instrument. Red oxide can be used to add warmth to the skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to speed up the painting process.
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