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home·artworks·The Blessed Giles Levitating before Pope Gregory IX
The Blessed Giles Levitating before Pope Gregory IX by Bartolomé Esteban Murillo

plate no. 6893

The Blessed Giles Levitating before Pope Gregory IX

Bartolomé Esteban Murillo, 1646

oil, canvasBaroquehistory paintingfiguresreligiousinteriorrobescarpethistorical
some experience helpful

This painting provides practice in rendering realistic figures and drapery with subtle value changes. Students can develop skills in capturing light and shadow to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth.

  4. step 04

    Develop the figures, paying attention to the folds and highlights in the robes.

  5. step 05

    Work on the details of the faces, capturing the expressions and features.

  6. step 06

    Add details to the carpet and background, keeping them less defined than the figures.

  7. step 07

    Refine the edges and blend the colors to create a smooth transition.

  8. step 08

    Add final highlights and shadows to enhance the realism.

color palette

primary · red · brown · white · gray

secondary · ochre · dark brown · cream

Achieve the red robes by mixing red with burnt sienna and a touch of black for shadows. Create the gray robes by mixing white, black, and a touch of yellow ochre. Use thin glazes to build up the colors and create depth.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·drapery rendering
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color and value within the robes.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, burnt sienna, white, black, yellow ochre, brown)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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