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home·artworks·The Blessed Bernardo Tolomeo's Intercession for the End of the Plague in Siena
The Blessed Bernardo Tolomeo's Intercession for the End of the Plague in Siena by Giuseppe Maria Crespi

plate no. 2294

The Blessed Bernardo Tolomeo's Intercession for the End of the Plague in Siena

Giuseppe Maria Crespi, 1735

oil, canvasBaroqueallegorical paintingfiguresplaguebuildingallegorydeathsky
experienced study

Recreating this painting will help students develop skills in figure drawing, creating dramatic lighting, and understanding complex compositions. It also provides practice in mixing muted and earthy tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architecture.

  2. step 02

    Establish the dark background using a mix of browns, blacks, and blues.

  3. step 03

    Block in the main figures with simplified shapes and values.

  4. step 04

    Start building up the light areas on the figures, paying attention to the direction of the light source.

  5. step 05

    Add details to the faces and clothing, using smaller brushes.

  6. step 06

    Refine the architectural elements, focusing on creating depth and texture.

  7. step 07

    Add the flying figure and the skeleton, paying attention to their dramatic poses.

  8. step 08

    Glaze over the painting to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · cadmium red · yellow ochre · Prussian blue

Achieve the muted tones by mixing browns and blacks with small amounts of red, yellow, and blue. Use white sparingly to create highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned ground to help establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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