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home·artworks·The bird had flown
The bird had flown by Ivan Tvorozhnikov

plate no. 1929

The bird had flown

Ivan Tvorozhnikov, 1917

oil, canvasRealismportraitportraitgirlbasketclothingfigurehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and expression, and in rendering textures of clothing and hair using visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the position of the basket.

  2. step 02

    Establish the background with broad strokes, creating a dark-to-light gradient.

  3. step 03

    Block in the main colors of the skin, hair, clothing, and basket, paying attention to the overall value structure.

  4. step 04

    Refine the facial features, focusing on the eyes, nose, and mouth to capture the subject's expression.

  5. step 05

    Develop the details of the hair, using loose brushstrokes to suggest texture and volume.

  6. step 06

    Add details to the clothing, including folds, buttons, and the texture of the fabric.

  7. step 07

    Render the basket and its contents, paying attention to the interplay of light and shadow.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue

Mix browns and grays using burnt umber, white, and small amounts of blue and red. Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the correct proportions of the figure.
  • →Inaccurate color mixing, resulting in unnatural skin tones.
  • →Ignoring the overall value structure and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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