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home·artworks·The Berlin-Potsdam Railway
The Berlin-Potsdam Railway by Adolph Menzel

plate no. 0029

The Berlin-Potsdam Railway

Adolph Menzel, 1847

oilRealismlandscapelandscapetraintreescityscapesmokefield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures with loose brushwork. It's also a good exercise in creating depth using value and color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, trees, train, and cityscape.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky with light gray and yellow ochre, blending smoothly.

  4. step 04

    Add the distant cityscape using muted colors and soft edges to create atmospheric perspective.

  5. step 05

    Paint the large trees and foreground foliage with darker values and visible brushstrokes.

  6. step 06

    Render the train and smoke, paying attention to the direction of light and shadow.

  7. step 07

    Add details to the foreground, such as grass and dirt, using dry brush techniques.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · burnt umber · raw sienna · yellow ochre · titanium white

secondary · ultramarine blue · cadmium yellow · ivory black

Mix muted greens for the fields by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Use white and a small amount of blue or black to create the grays for the sky and smoke.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·scumbling
  • ·value gradation
  • ·broken color

common pitfalls

  • →Overworking the details in the background, which will flatten the perspective.
  • →Using colors that are too saturated, which will make the painting look unnatural.
  • →Ignoring the value structure, which will make the painting look flat.
  • →Making the brushstrokes too uniform, which will make the painting look stiff.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a toned canvas (e.g., raw umber wash) to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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