apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Bedroom
The Bedroom by Pieter de Hooch

plate no. 8157

The Bedroom

Pieter de Hooch, 1659

canvas, oilBaroqueinteriorinteriorfiguresarchitecturedoorwayfurnituredomestic scene
some experience helpful

Recreating this painting will help students develop skills in rendering realistic light and shadow, as well as creating a sense of depth and perspective within an interior space. It also provides practice in painting figures in a believable setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and perspective lines.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Establish the light source and begin to develop the shadows and highlights.

  4. step 04

    Refine the details of the figures, paying attention to proportions and anatomy.

  5. step 05

    Add details to the furniture and architectural elements, such as the chairs, table, and doorway.

  6. step 06

    Work on the textures of the fabrics and the tiled floor.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · red ochre

secondary · ultramarine blue · ivory black · cadmium yellow

Achieve the warm, muted tones by mixing burnt umber and yellow ochre with white. Use small amounts of blue and black to create shadows and cool tones. Red ochre mixed with white creates the pinkish tones of the woman's shirt.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective leading to a distorted space
  • →Overly saturated colors that detract from the muted atmosphere
  • →Neglecting the subtle value shifts that create depth
  • →Poorly rendered figures that lack anatomical accuracy

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·red ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a fine-weave canvas for smoother blending. Consider using a toned ground (e.g., burnt umber wash) to establish a warm undertone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne