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home·artworks·The Beach Near Scheveningen
The Beach Near Scheveningen by Jan van Goyen

plate no. 5648

The Beach Near Scheveningen

Jan van Goyen

oilBaroquelandscapebeachfiguresskycloudsseadunes
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth and distance using value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the horizon line, dunes, and major groupings of figures.

  2. step 02

    Establish the sky with broad washes of color, focusing on the subtle gradations and cloud formations.

  3. step 03

    Block in the general shapes and values of the dunes, paying attention to the light and shadow.

  4. step 04

    Add the figures, starting with the larger groups and gradually working towards the smaller, more distant ones.

  5. step 05

    Develop the details of the beach, including the boats, carts, and other elements.

  6. step 06

    Refine the values and colors throughout the painting, ensuring a consistent sense of atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · Prussian blue · burnt sienna

Achieve the subtle atmospheric colors by mixing yellow ochre, raw umber, and white in varying proportions. Use small amounts of Prussian blue and burnt sienna to create cooler and warmer tones.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and distance.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle gradations of value in the sky and dunes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (for oil paints)
  • ·mineral spirits (for oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for both smooth blending and textured brushwork. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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