apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Beach at Scheveningen
The Beach at Scheveningen by Adriaen van de Velde

plate no. 2192

The Beach at Scheveningen

Adriaen van de Velde, 1658

oil, canvasBaroquelandscapebeachfiguresskycloudsseadunes
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. Students will also learn to mix subtle color variations to create a sense of depth and realism.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of major elements.

  2. step 02

    Block in the sky with a light blue base, gradually adding white and grey for the clouds.

  3. step 03

    Establish the basic tones of the beach, using a mix of browns and yellows.

  4. step 04

    Paint the sea, starting with a darker blue-green at the horizon and lightening towards the foreground.

  5. step 05

    Add details to the dunes and buildings in the background.

  6. step 06

    Paint the figures, focusing on their basic shapes and proportions.

  7. step 07

    Add highlights and shadows to create form and depth.

  8. step 08

    Refine details and blend edges to create a soft, atmospheric effect.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix blues and whites for the sky, adding small amounts of raw umber for the clouds. Use raw umber, yellow ochre, and white for the sand. Mix blues and greens for the sea, adding white for highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Creating too much contrast, making the painting look harsh.
  • →Ignoring the subtle color variations in the sky and sea.
  • →Making the figures too detailed, drawing attention away from the overall landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne