apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Bathers
The Bathers by Pierre Puvis de Chavannes

plate no. 8817

The Bathers

Pierre Puvis de Chavannes

oilSymbolismnude painting (nu)figureslandscapewatertreesnudesfoliage
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly rendering skin tones and drapery, as well as creating atmospheric perspective in a landscape setting. Students will also learn to blend colors to create soft transitions and subtle variations in tone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and landscape elements.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figures and foreground.

  3. step 03

    Begin to refine the shapes and forms of the figures, paying attention to the light and shadow.

  4. step 04

    Develop the details of the drapery, using subtle variations in color and tone to create a sense of depth and texture.

  5. step 05

    Add details to the landscape, such as the trees, foliage, and water, using a variety of brushstrokes to create texture and interest.

  6. step 06

    Refine the skin tones of the figures, using a combination of warm and cool colors to create a sense of realism.

  7. step 07

    Add highlights and shadows to the figures and landscape to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the composition, color, and tone to create a cohesive and harmonious image.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red light · ultramarine blue · burnt sienna

Mix skin tones by blending white, yellow ochre, and a touch of red. Create the dark background by mixing black and blue. Use burnt sienna and yellow ochre for the foliage.

techniques

  • ·blending
  • ·scumbling
  • ·glazing
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →creating harsh lines
  • →failing to establish a clear focal point
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull