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home·artworks·The Banks of the River
The Banks of the River by Charles-Francois Daubigny

plate no. 9186

The Banks of the River

Charles-Francois Daubigny

oil, panelRealismlandscaperivercloudsboatfigurelandscapetrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effect of light filtering through clouds. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main elements (river, boat, figure, clouds).

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky with broad strokes, capturing the light and shadow patterns in the clouds.

  4. step 04

    Paint the distant landscape, paying attention to atmospheric perspective (lighter and less detailed in the distance).

  5. step 05

    Add the river, reflecting the colors and values of the sky and surrounding landscape.

  6. step 06

    Paint the boat and figure, simplifying the details and focusing on their silhouettes.

  7. step 07

    Add details to the foreground, such as the texture of the riverbank and the reflections in the water.

  8. step 08

    Refine the painting, adjusting values and adding highlights to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna · cadmium yellow

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and cadmium yellow to create the warm glow of the sunlight.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated and unrealistic.
  • →Not simplifying the complex shapes of the clouds and trees.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 or similar)
  • ·Oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, raw sienna, cadmium yellow)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Assorted brushes (round and flat)
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a limited palette to create a harmonious color scheme. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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