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home·artworks·The bakers, a market in Figueiró
The bakers, a market in Figueiró by Jose Malhoa

plate no. 4723

The bakers, a market in Figueiró

Jose Malhoa, 1898

oilRealismgenre paintingmarketfiguresbasketspigsbuildingsfood
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and creating texture with visible brushstrokes. It also provides practice in color mixing to achieve realistic skin tones and earthy hues.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Establish the background with thin washes of color, suggesting the crowd and distant buildings.

  3. step 03

    Block in the main color masses for the figures, baskets, and pigs, using a limited palette of earth tones.

  4. step 04

    Develop the light and shadow on the figures and objects, paying attention to the direction of the light source.

  5. step 05

    Add details to the faces, clothing, and baskets, using smaller brushes and more precise strokes.

  6. step 06

    Refine the textures of the ground, baskets, and foliage with dry brushing and scumbling techniques.

  7. step 07

    Introduce subtle color variations to create depth and realism.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre · viridian

Mix burnt umber and white for the base skin tones, adding touches of cadmium red for warmth. Use raw sienna and yellow ochre for the baskets and ground, and viridian mixed with umber for the foliage.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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