apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Assumption
The Assumption by Jacques Stella

plate no. 5853

The Assumption

Jacques Stella

oilBaroquereligious paintingfiguresreligious scenecloudsangelsskydrapery
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in mixing subtle color variations to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the figures in the lower portion of the painting, paying attention to anatomical accuracy and drapery folds.

  4. step 04

    Begin to render the figures in the upper portion, focusing on the Virgin Mary and the surrounding angels.

  5. step 05

    Gradually build up the details, adding highlights and shadows to create depth and dimension.

  6. step 06

    Refine the color palette, mixing subtle variations to achieve realistic skin tones and fabric textures.

  7. step 07

    Add final details, such as the halos and other symbolic elements.

  8. step 08

    Glaze to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · raw sienna · ivory black

Mix skin tones by blending white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create a range of grays for shadows. Vary the intensity of colors by adding white or mixing complementary colors.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of value contrast
  • →Ignoring the effects of light and shadow
  • →Rushing the process and not paying attention to detail

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne