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home·artworks·The Artist's Aunt
The Artist's Aunt by Hugo Simberg

plate no. 3371

The Artist's Aunt

Hugo Simberg, 1898

oilRealismportraitportraitelderly womanfigurefacehandclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle variations. It also provides practice in creating depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hand, and clothing.

  2. step 02

    Establish the overall composition, including the background and the paper with writing.

  3. step 03

    Block in the main areas of color with thin washes, focusing on the background and the dark clothing.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Pay close attention to the subtle variations in color and value on the face to create a realistic effect.

  6. step 06

    Refine the details of the eyes, nose, and mouth, capturing the likeness of the subject.

  7. step 07

    Add details to the clothing and background, including the texture of the fabric and the writing on the paper.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and balanced painting.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · raw sienna · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of alizarin crimson for warmth. Use ivory black and burnt umber for the dark clothing, and dilute with medium for glazing.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the likeness of the subject.
  • →Creating harsh lines and edges instead of smooth transitions.
  • →Ignoring the importance of value in creating depth and form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt umber, ivory black, titanium white)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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